suomi | svenska | english   –  KIASMA 15 March to spring 2004 sort list: > by name > by artwork

name: work: Bellinin akatemia The Bellini Academy’s Scientific Expedition to the Steam Caves of Par-Iskmeny and Par-Kish, 1978 Berg Hans-Christian Closing Space I, 2001 Clemente Francesco Weather Report, 1986 Eija-Liisa Ahtila, Maria Ruotsala In Her Absolute Proximity, 1988 Ekström Saara Exposed, 2002 Ernst Max Genius of the Bastille, 1961 Etkin Suzan Toby's Purse, 1995 Favier Philippe A Shadow on the Yes-No Painting, 1998 Favier Philippe A Shadow on the Yes-No Painting, 1998 Florensky Olga / Alexander Professor I.P. Barinov and Hunter Zaitsev in Summer Hunting Uniform, 1999 Florensky Olga / Alexander Mummy of the Hare (Sacred Object of the YIYE People), 1999 Friberg Maria Somewhere Else, 1998, dur 4 min. Furunes Anne-Karin Unknown X, 1998 Gamdrup Mads Night, 1998 Gamdrup Mads Night, 1998 Harri Juhani Andalusian Dog, 1971 Harri Juhani Raven Sings, 1973 Harri Juhani On the Beach, 1974 Harri Juhani Road Side Bird, 1973 Harri Juhani Mulleins, 1975 Heiskanen Outi Summer Night, 1986 Hernández Julio L Bedroom, 1973 Hietanen Helena It Doesn't Talk, 1992 Hietanen Helena Feminine Fault, 1993 Info 1 Info 2 Mad Love Info 3 Un Chien Andalou Info 4 Summer Night Info 5 A Ghost at Noon Info 6 Summer Night Jaakola Alpo Self-Portrait in a Tent, 1957 Junno Tapio Ray, 1998 Juvonen Jari Chin and Table, 1994 Kaikkonen Kaarina Did I Reach a Harbour?, 1998 Kanervo Marja Boundary 1/3, 2001 Karhu Mika Room 211, 1998 Kella Marjaana Woman under Hypnosis, 1997 Kella Marjaana Mirror, 1997 Kivinen Markku Clock, 1987 Koskinen Pentti Otto Drawing, 1996 Koskinen Pentti Otto Drawing, 1996 Koskinen Pentti Otto Drawing, 1996 Koskinen Pentti Otto Drawing, 1996 Kounnellis Jannis Untitled, 1990 Kåhre Markus Untitled (1996) Kåhre Markus Untitled (1999) Larjosto Harri Garden - Puutarha, 2000 Larjosto Harri Garden – Puutarha, 2000 Larjosto Harri Garden – Puutarha, 2000 Laukkanen Irma Mysterium, 1996 Mahn Inge Bulletin Pillar, 1990 Merenmies Elina The Lift, 2001 Merenmies Elina AC/DC Teddy, 2002 Merenmies Elina Chinchilla, 2000 Merenmies Elina Dumbo, 2001 Merenmies Elina Separation, 2000 Merenmies Elina Day of Joy and Celebration, 2001 Merenmies Elina Polar Night, 2001 Merenmies Elina Fatal Handshake, 2001 Merenmies Elina Slaughtering a Lamb, 2000 Mäkilä Otto Summer Night, 1938 Mäkilä Otto Sirens II, 1948 Mäntynen Taru A Soul Cut in Half, 1996 Nyqvist Thomas ,because the world is round. 1998 Nyqvist Thomas Memory, 1998 Oja Marjatta Interview 19.1.2000, 2000 Oja Marjatta Situational Sculpture, 1996 Óskar Jón Holes and Grapes, 1991 Óskar Jón Beneath the Ornament, 1989 Oursler Tony The Loner, 1980 Paladino Mimmo The Insolent Ray, 1984 Raetz Markus Seeing I, 1985 Raetz Markus Sense V, 1991 Ratalahti Antti Landscape, 1999 Ratalahti Antti Landscape, 1999 Rauhala Osmo The Secret of the Forest, 1991 Rekula Heli Skein, 2000 Roberts Liisa Trap Door, 1996 Scharmanoff Magnus A Sense of Loss 7, 1997 Seppo Renvall , Alli Savolainen Crocodile Tears, 1993 (3min 40s) Sherman Cindy Untitled Sidén Ann-Sofi QM, I think I call her QM, 1997 (28 min.) Smith Michael Secret Horror, 1980, duration 20 min Snedsbøl Erik The Camp, 2002 Somma Ossi One Day He Will Be Somebody, 1971 Suomi Risto Clair de lune, 1985 Tapiola Marjatta Lips of Sky, Teeth of Fog, 1987 Urbonas Gediminas Suitcase, 1988 Uutinen Marianna Craddle Condition, 1997 Virtanen Petri Untitled, 1993 Wall Jeff Man in Street, 1995 Whitehead Oliver Night II, 1990 Whitehead Oliver Self Destruct, 1990 Wirkkala Maaria Gun, So What, 2002 Wirkkala Maaria Block of Comments

Clemente Francesco b. 1952, Italy Weather Report, 1986 Francesco Clemente enjoys to the full the postmodern individual's freedom to choose his own world and identity, and he depicts himself and his feelings in a flagrantly personal manner. The pictures are individualistic and do not follow the rules of visual representation modelled by history. Clemente's own term for his works is ideograms. To express something, he does not paint the thing itself, but instead a series of parallel objects or things connected to the subject matter through dreamlike logic. These relational networks become inextricably entangled with other relational networks and no sign or image is any longer the sum of its parts. Thus, interpretation becomes a continuous journey from one perception to the next. The alteration of weather and seasons is for Clemente a fundamental way of perceiving structure in life. The never-ending cycle and repetition of weather conditions breaks linear time that divides things into old and new, past and future. The chain of associations in Weather Report revolves on the painting's surface from a volcano to ladders and from nails to a sleeping dog like the seasons.